five-syllable sonnets
I - XXV | XXVI - L | LI - LXXV | LXXVI - C

i figure, if i write enough,
i'll make one perfect phrase.

XXVI
the class is writing.
while they continue
to slack, i make these
poems in a vain
attempt to further
my craft--whatever
craft that may be. i
can't help but be pro-
lific, can't help but
put these words to the
page. whatever type
of deity holds
my pen guides me to
a wonderful place.
XXVII
i find this class to
be embarrassing.
it's like these people
don't want to learn, don't
want to read, don't like
the idea of
being smart. what a
foolish way to live!
why would anyone
temper themselves so
downwardly? to lie
to the soul, to cheat
the vastness of their
mind with utter shit?
XXVIII
it is tectonic
plates, the movement of
this hour. it is
grass beleagured by
centuries of grow-
ing. i will wait with
patience, a zen koan
of body and soul.
i hate this feeling
of being smarter
than most everyone
in this hour. it
is ridiculous.
i would rather sleep.
XXVIX
i went into my
old house one last time,
forcing the back door
open with my dri-
vers license. an old
trick. i ran my hands
along the walls, the
memories trapped in
the dirty paint and
remodeling that
went okay, but not
well. my old room was
last. i didn't
cry, but i felt bad.
XXX
here is where they used
to practice music.
here is where i used
to watch anime
with a girl while
we fascinated
ourselves with our own
bodies. here is where
the ceiling sort of
broke, and water dripped
for days. my feelings
for this place are en-
trenched in shit, and i
couldn't love it more.
XXXI
when i take her to
thanksgiving, i won't
feel so bad showing
off the new place. my
parents will love her,
my family will love
her, but i will love
the fact that our house
isn't awful to
look at. a small type
of victory, for
my childhood will be
replaced by a home
i've never lived in.
XXXII
every day i look
at pictures of you
and wonder if i
was there in your mind
at that moment. if
i made a lasting
impression on your
family, your friends,
your relatives, or
if they see me as
just some other guy
who came in and tried
to be something he
was not. do you care?
XXXIII
no, really, do you
care? i find myself
asking that question
daily, more for my
own benefit than
yours, and it's raining
and my bicycle
is out there getting
rusted, and all i
can think is, do you
care? do i care? who
cares? the answer, i
hope, is that every-
one cares around here.
XXXIV
i just want to en-
trench myself in the
blankets, hunker down
with this bottle and
with this gun beside
my pillow, and wait
until the sunrise
stops coming. i want
to spend every last
dollar in my bank
account on something
frivolous, like hats.
i want to take your
head and bury it.
XXXV
fuckfuckfuckfuckfuck.
seems my intuit-
ion is better than
you thought, you manip-
ulative bitch. when
should i tell you how
much he's bitched about
you? two backstabbers
make the best couples,
don't they? oh, but you're
young, and you've got a
lot of living to
do, and all i have
are false memories.
XXXVI
i was stabbed by it
all, stabbed and rolling
through days and lightning
until my muscles
were tender and raw.
sometimes i sit here
and stare for hours.
it is the transfer
of energy; when
i am happy, some-
one else is sad. when
you are happy, i
am stabbed. i am here
but i am rolling.
XXXVII
i could wear this cup
as a hat. it's big.
it's really big. i
mean, i have a big
head, so that must be
one giant cup, you
know what i mean? a
family of four
could live in here. damn!
lookatthiscup! i
filled it with a hose
for chrissakes! it's our
new swimming pool! god
damn it! fucking shit!
XXXVIII
subsequently i
laid in soft downy
towels strewn around
the room, nursing a
beer with one hand and
the back of your neck
with the other. in
the dim light we felt
for hours, fighting
insecurities
with alcohol and
free flowing fingers.
once we passed out, we
slept the sleep of death.
XXXIX
i am alone. the
house sings in silence,
reverberating.
sometimes i am lost
to my own mind, stuck
in the sea of syn-
apse, each wave breaking
against the back of
my senses.
           alone.
the fan hums behind
me. the music lulls.
i would sleep, but i
cannot stop thinking.
XL
destitute, he ran
filthy fingers through
his oily hair. the
sunset burned orange
against the purple
sky. colors. nothing
but colors in his
mind, swirling and soft
and commanding. he
fell asleep in the
grass, tears bounding down
his greasy cheeks, a
dream of his long gone
in his bubble head.
XLI
and she, a pinprick
of woman against
the universe, sat
with her head resting
on a tree trunk. the
death of days lingered
behind her, beside
her, all around her.
she, no longer scared
of bombs and briga-
deers, found her conscience
traipsing through tall weeds
and resting among
the rocks of ages.
XLII
i am trying to
think of something real
ly depressing to
write about, something
that will wilt your heart
and make time frozen
for just a moment.
but when i try, it's
nothing. i can't think
of anything. i
just want to break this
hurt on my ventri
cles, i want you to
apologize. please.
XLIII
i am worthless. to
say "a shell of a
man" would imply that
i am worth enough
to have a shell. my
depreciating
value will bottom
out, and i will weigh
more than the trenches
at the bottom of
the ocean. trudging.
always trudging, and
when i'm done falling
i'll have to go up.
XLIV
they wrapped themselves in
the leaves of autumn,
buoyant above the
colors red, orange,
brown, with branches as
clouds above them. she
went for a kiss, and
his lips, electric,
sent shocks down her spine.
he wrestled with her
as a faint snow fell
and collected on
the tips of their fur
lined coats and mittens.
XLV
suppose, then, that i
am to be for
ever left alone,
to settle along
the bottom of the
populace like turk
ish coffee grounds. what,
then, do i do with
the rest of my damned
life? do i await
my fortune? do i
wade into obscur
ity, until i
hit the bottom? what?
XLVI
ultimately, she,
bound to him only
in words, flew away
with the wings of a
falcon, the eyesight
too. he formed a band
to write songs about
her, but each song was
really about him.
in twenty years they'll
meet and talk like ghosts
stuck in the same house,
bound by small talk and
forced to be civil.
XLVII
she was achingly
accurate, judging
him to a t. he,
on the other hand,
intuited her
subconscious desire,
something that ulti
mately ripped them a
part as he tumbled
into some kind of
fervor to control
and shape this person.
in recompense, she
left him with nothing.
XLVIII
there is the curve of
the golden rati
o in your hips, the
curve of your waist as
it thins and thickens
and gracefully finds
the niches in my
own body, to po
sess and inhabit.
this is the holy
matrimony god
expects of us, to
live beside others
blissfully naked.
XLVIX
sitting on the edge
of the bed, i watched
her slide tight jeans o
ver her hips, shimmy
back into her top,
and not look at me
as she left the room.
the argument was
done, the damage in
tense and corroding
the walls. on my bed,
in my boxer shorts,
i swallowed mucus,
wiped away the tears.
L
how did i write so
much? half of this is
bullshit, half sordid
details of nothing,
and some of it is
purely silly fluff.
do i write more? can
i handle it? if
so, perhaps the rest
of these poems will
convey some meaning
greater than the shit
i've written thus far.
we'll see, man. we'll see.
LI - LXXV